We are delighted to announce that Marta Arisi will be joining us from Sciences Po as a visiting PhD researcher at the Department of Digital Humanities at King’s College London. During her stay she will be working with Jonathan Gray and exploring collaborations with researchers in the department and the Centre for Digital Culture. Marta comments: “Through my …
Continue reading “Welcome to Marta Arisi, visiting PhD at the Department of Digital Humanities ✨”
A paper on “AI incidents and ‘networked trouble’: The case for a research agenda” has just been published by Department of Digital Humanities PhD researcher Tommy Shane. The paper is open access and can be found here and the abstract is copied below. Against a backdrop of widespread interest in how publics can participate in …
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Art x Public AI is a new research project by the Creative AI Lab, a collaboration between the Serpentine (a public arts org in London) and the Department of Digital Humanities, KCL. The lab focuses on developing research and prototypes that further artistic experimentation with AI. Our aim is to expand the conversations around AI …
Join this panel and discover how Artificial Intelligence and related technologies are reshaping the production and understanding of audiovisual culture.
Researchers from leading laboratories in cultural informatics come together to discuss the past, present, and future, of computational moving images.
We are delighted to be announcing ten new permanent academic positions in the Department of Digital Humanities. As many in the community know, DDH has expanded a great deal in the last fifteen years. In this time “the digital”, both in and as related to the humanities, has changed beyond all recognition. As well as …
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The Creative AI Lab (a collaboration between Serpentine’s R&D Platform and Department of Digital Humanities) has the pleasure to announce the publication of a new position paper, ‘Creative—Critical—Constructive—Collaborative—Computational: Towards a C5 model in Creative AI’. The paper analyses creative activity enabled by machine learning and recognised under the banner of ‘Creative AI’. The theoretical discussion …
David Berry is currently visiting the Department of Digital Humanities as Visiting Professor of Critical Theory and Digital Humanities. The following post from David introduces some of his current research on explainability and interpretability. He is giving a talk about this work at the Infrastructural Interventions workshop on Tuesday 22nd June. I am very excited …
What new aspects does the technical framework of machine learning bring to art-making? And conversely, what can artworks that use AI point to in AI research and development? These questions formed the basis for discussion during an online panel event, convened by the Creative AI Lab in collaboration with the NYU Digital Theory H-Lab for …
Continue reading “Creative AI Lab – ‘Aesthetics of New AI’ panel discussion for Frieze Week 2020”
Contemporary art institutions, much like cultural heritage museums around the world, face a process of deep transformation through digitalisation, except that for contemporary art institutions such a process ventures into the material foundations of the artworks themselves: digital technology has become a creative medium for artists, while most recently, Artificial Intelligence, especially machine learning (ML), …
Continue reading “Project | Creative AI: Neural Networks at the Gallery”
