Welcome to Richard Rogers, Visiting Professor at the Department of Digital Humanities ✨

We are delighted to announce that Richard Rogers (University of Amsterdam) will be joining us as a Visiting Professor at the Department of Digital Humanities, King’s College London. In the post below he discusses his plans.

I’m very pleased to be able to join the Department of Digital Humanities over the coming period. I’ve worked closely with colleagues at King’s College London for years and look forward to further collaborations.

My main project for the visiting stint is entitled, Chatbots for internet research: a critical reflection, which is shaping up into a book. It came into being initially as tests or experiments with chatbots and ultimately have become approaches to research that supplement and extend the digital methods I’ve been working on.

Chatbots for internet research has three lines of enquiry. One is how to use chatbots for social media, search engine and other online analysis (‘internet research’) but also how to study them as media, as both a vector space medium as well as a platform. Thirdly, I’m particularly interested in those occasions when researcher and machine findings misalign and how to characterise them. Certain of these moments have to do with platform effects such as user pleasing and value alignment that produce ‘overagreement’ and a ‘bias towards neutrality’, respectively. They may have to do with limited scraping, where model responses exhibit ‘technical shallowness’. But they also arise when chatbots are asked to prove themselves and then subsequently provide bogus sources, despite the fact that they appear to produce good (synthetic) data. I characterise this occasion as ‘ungrounded performance’.

During the visiting period, I’m looking for opportunities to conduct workshops and undertake such experiments as well as other methods work. 

Richard Rogers is Professor of New Media & Digital Culture, Media Studies, and Director of the Digital Methods Initiative, Humanities Labs, University of Amsterdam. His is author or co-author of Information Politics on the Web, Digital Methods (both MIT Press) as well as Doing Digital Methods (Sage) and Digital Methods: A Short Introduction (Polity). He is editor or co-editor of The Politics of Social Media Manipulation, The Propagation of Misinformation in Social Media (both Amsterdam University Press) and Content Moderation across Social Media Platforms (Routledge). Apart from his project on chatbots for internet research, he is currently working on auditing content moderation on social media platforms, FIMI and the politics of methods as well as Wikipedia as media archaeological instrument.

A Social Critique of AI amid the Climate Crisis

by Paul Schütze

I am currently a Visiting Senior Research Fellow at the Department of Digital Humanities, King’s College London. As part of that visit, I recently gave a talk titled “A Social Critique of AI amid the Climate Crisis.” In that talk, I argued that AI is more than an environmentally costly technology. It is a system and an ideology that keeps extraction going and makes the current socio-economic dynamics seem inevitable. From this perspective, climate apathy is not a political failure. It is the systemic outcome of an AI-driven social order.

What I have laid out here is a pointed version of my argument, without the full theoretical scaffolding underneath it. If you are interested in the longer version, I am genuinely happy to talk through it. Please reach out!

But what does a social critique of AI actually mean?

There is a perspective on the AI-and-climate connection that most people have heard by now. Data centres consume enormous amounts of energy. Training large models releases tons of CO₂. The hardware for AI models to run on requires the mining of rare earth minerals under brutal conditions. All of this is true, and all of this is important.

But, what I call a social critique of AI goes beyond this perspective. This is because, beyond the environmental impact, there lingers an underlying question: why does any of this continue to happen? If we know the climate effects of AI (and other technologies for that matter), why do we not change it?

Simply put, the AI-and-climate connection is not an epistemological issue, it is not an issue of having too little knowledge. AI does not only have an environmental footprint problem. This would be a flaw that could be fixed with a different technological design. Run the data centres on renewable energies. Build more efficient chips. Regulate the emissions of model training. All easy solutions. Yet, while this may be helpful in some regard, these apparent solutions do not solve the underlying problem. The extractive order simply keeps going.

A social critique of AI begins by refusing this story. No better design, no further knowledge, and no greener infrastructures can get us out of this crisis. A social critique insists on looking at AI not as a technology with some negative side effects. But, it understands AI as a system embedded in a specific socio-economic order, which is built on the logics of extraction, control, and apparent efficiency. This very system will not fix the climate crisis. The climate crisis is not a malfunction of that system. It is a structural feature.

Understanding AI in terms of a social order

Once you refuse this story, and once you shift the frame, AI’s climate impact starts to look different. With this, we can now conceptualise AI as an ideological apparatus – an assemblage of stories and assumptions, of material practices and institutions – that makes the current social order feel natural and inevitable.

AI as an ideological apparatus works like this: It tells us that optimising technological systems is progress. That efficiency is inherently valuable. That data-driven decisions are superior. That technological innovation is the primary driver of human well-being. Yet, these are very specific claims that serve very specific interests. They reproduce what is already there. They make the current order feel permanent and even desirable. They make alternatives feel naive and impossible. This ideological function is what makes AI so damaging in the context of the climate crisis. AI does not just skyrocket emissions. It deepens the conditions that prevent any serious climate action.

This is the key point of a social critique of AI amid the climate crisis. We are on a trajectory toward three degrees of warming by 2050. Three degrees means ecosystem collapse, food system failure, large parts of the planet becoming uninhabitable. AI keeps these realities at bay, just enough that it does not feel necessary to actually confront this catastrophic reality.

A social critique refuses to accept that comfort. It calls out the underlying structures that produce the climate crisis. It paints AI as an integral part of these structure. It insists on facing the reality rather than retreating into the ideological narratives that make business-as-usual feel acceptable.

This is why a social critique of AI amid the climate crisis is important. The goal cannot simply be to design a better AI ethics framework or to improve the efficiency of data centres. The aim cannot be to propose the right carbon tax or the right AI regulation. But, we need to make visible the systems that keep (re)producing this outcome. We must trace how AI is embedded in and amplifies these very systems, and we thereby must refuse the stories that make all of this seem inevitable. AI is helping to build a world in which saving the planet means something entirely different from what it would actually require. Making this visible is the aim of the social critique I propose here.

New Funding Opportunity: King’s-Ramón Areces Foundation PhD Scholarship (K-FRA)

Yutong Liu & Digit / https://betterimagesofai.org / https://creativecommons.org/licenses/by/4.0/

The Department of Digital Humanities is delighted to announce a prestigious new doctoral scholarship scheme, offered in partnership with the Ramón Areces Foundation.

The King’s–Ramón Areces Foundation PhD Scholarship Programme (K-FRA) is designed to support a researcher of Spanish nationality in undertaking full-time doctoral study within our department, starting in October 2026.

A comprehensive support package

The scholarship provides an exceptional level of support over three years of research, including:

  • Full tuition fees covered for the duration of the programme
  • An annual stipend of £22,780 (including London Weighting)
  • A £1,000 annual grant for research training and related support
  • Overseas student health cover and a standard-class return airfare between London and Madrid

Research themes

We welcome applications across the full breadth of Digital Humanities. We are particularly keen to receive proposals aligned with digital methods and cultural heritage, computational humanities and cultural AI, digital identities or governance, including projects that apply digital tools within the arts or wider cultural sectors.

As Paul Spence, Reader in Digital Humanities, notes:

The King’s-Ramón Areces PhD Scholarship Programme enables outstanding researchers to pursue innovative, internationally oriented doctoral work, strengthening long-standing academic links between UK and Spanish digital humanities researchers.

Key dates and how to apply

Application closing date: 13 February 2026.

To support prospective applicants, we will be hosting an online information session on 12 January, from 15.00 to 16.00 (UK time). To register your interest and receive access details, please complete the online registration form.

The session will provide further information about the programme, the application process, and the specific terms and conditions set by the Ramón Areces Foundation.

Find out more

For full eligibility criteria and detailed application instructions, please visit the official page of the King’s–Ramón Areces Foundation PhD Scholarship Programme (K-FRA).

Best overall student in MA Digital Humanities, 2024-2025

Congratulations to Kesara Ariyapongpairoj for being awarded “Best Overall Student in the MA Digital Humanities” in 2024-2025. 🎊

Kesara is a MA Digital Humanities graduate from King’s College London with a background in Philosophy. Her research focuses on how digital media and emerging technologies have transformed the production and dissemination of information, and the socio-political and cultural impact of online narratives in shaping belief systems and ideologies.

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a late autumn co-learning workshop on digital methods for social and cultural research

Last week Claudia AradauLiliana Bounegru and Jonathan Gray co-organised a late autumn co-learning workshop on digital methods for social and cultural research. 🍂🌱🐿️🦔

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Dr Rachael Kent wins historic case against Apple in £1.5 billion collective action

The case, Kent v Apple, was brought by Dr Rachael Kent, Senior Lecturer at King’s College London, who made history as the first female Class Representative in the UK’s collective action regime.

Dr Rachael Kent
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New Research Explores Gamified Friendships and Digital Intimacy on Douyin

A new open-access article by Hui Lin and Dr Rafal Zaborowski, both from the Department of Digital Humanities at KCL, examines how the Chinese platform Douyin (internationally known as TikTok) gamifies everyday social interaction.

The article was first presented at the 2024 International Conference on Social Media & Society where it was honoured with the prestigious Best Method Paper Award.

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Conference: “Quantitative Diachronic Linguistics and Cultural Analytics: Data-Driven Insights into Language and Cultural Change”

15-16 January 2026, King’s College London (Strand Campus)

Official website with the full call for abstracts here.

We invite submissions for the conference Quantitative Diachronic Linguistics and Cultural Analytics: Data-Driven Insights into Language and Cultural Change, to be held at King’s College London (Strand Campus, WC2R 2LS) on 15–16 January 2026. This is an in-person event.

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DANTE-AD: Dual-Vision Attention Network for Long-Term Audio Description

Wednesday 28 May 2025

12:00 PM – 2:00 PM

Location: WC2R 2LS

To register for this event, please follow this link.

Andrew Gilbert (University of Surrey), DANTE-AD: Dual-Vision Attention Network for Long-Term Audio Description

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Publication: Dell’essere-a-misura: corpie quantificazione

DDH’s Prof. Btihaj Ajana publishes a chapter in Italian language in the volume, “Incorporazioni: Prospettive storiche e teoriche”, edited by Angela Michelis and Francesco Pisano. The volume focuses on the multifaceted concept of the body, examining its role in shaping identity and subjectivity through a historical and conceptual lens.