A Social Critique of AI amid the Climate Crisis

by Paul Schütze

I am currently a Visiting Senior Research Fellow at the Department of Digital Humanities, King’s College London. As part of that visit, I recently gave a talk titled “A Social Critique of AI amid the Climate Crisis.” In that talk, I argued that AI is more than an environmentally costly technology. It is a system and an ideology that keeps extraction going and makes the current socio-economic dynamics seem inevitable. From this perspective, climate apathy is not a political failure. It is the systemic outcome of an AI-driven social order.

What I have laid out here is a pointed version of my argument, without the full theoretical scaffolding underneath it. If you are interested in the longer version, I am genuinely happy to talk through it. Please reach out!

But what does a social critique of AI actually mean?

There is a perspective on the AI-and-climate connection that most people have heard by now. Data centres consume enormous amounts of energy. Training large models releases tons of CO₂. The hardware for AI models to run on requires the mining of rare earth minerals under brutal conditions. All of this is true, and all of this is important.

But, what I call a social critique of AI goes beyond this perspective. This is because, beyond the environmental impact, there lingers an underlying question: why does any of this continue to happen? If we know the climate effects of AI (and other technologies for that matter), why do we not change it?

Simply put, the AI-and-climate connection is not an epistemological issue, it is not an issue of having too little knowledge. AI does not only have an environmental footprint problem. This would be a flaw that could be fixed with a different technological design. Run the data centres on renewable energies. Build more efficient chips. Regulate the emissions of model training. All easy solutions. Yet, while this may be helpful in some regard, these apparent solutions do not solve the underlying problem. The extractive order simply keeps going.

A social critique of AI begins by refusing this story. No better design, no further knowledge, and no greener infrastructures can get us out of this crisis. A social critique insists on looking at AI not as a technology with some negative side effects. But, it understands AI as a system embedded in a specific socio-economic order, which is built on the logics of extraction, control, and apparent efficiency. This very system will not fix the climate crisis. The climate crisis is not a malfunction of that system. It is a structural feature.

Understanding AI in terms of a social order

Once you refuse this story, and once you shift the frame, AI’s climate impact starts to look different. With this, we can now conceptualise AI as an ideological apparatus – an assemblage of stories and assumptions, of material practices and institutions – that makes the current social order feel natural and inevitable.

AI as an ideological apparatus works like this: It tells us that optimising technological systems is progress. That efficiency is inherently valuable. That data-driven decisions are superior. That technological innovation is the primary driver of human well-being. Yet, these are very specific claims that serve very specific interests. They reproduce what is already there. They make the current order feel permanent and even desirable. They make alternatives feel naive and impossible. This ideological function is what makes AI so damaging in the context of the climate crisis. AI does not just skyrocket emissions. It deepens the conditions that prevent any serious climate action.

This is the key point of a social critique of AI amid the climate crisis. We are on a trajectory toward three degrees of warming by 2050. Three degrees means ecosystem collapse, food system failure, large parts of the planet becoming uninhabitable. AI keeps these realities at bay, just enough that it does not feel necessary to actually confront this catastrophic reality.

A social critique refuses to accept that comfort. It calls out the underlying structures that produce the climate crisis. It paints AI as an integral part of these structure. It insists on facing the reality rather than retreating into the ideological narratives that make business-as-usual feel acceptable.

This is why a social critique of AI amid the climate crisis is important. The goal cannot simply be to design a better AI ethics framework or to improve the efficiency of data centres. The aim cannot be to propose the right carbon tax or the right AI regulation. But, we need to make visible the systems that keep (re)producing this outcome. We must trace how AI is embedded in and amplifies these very systems, and we thereby must refuse the stories that make all of this seem inevitable. AI is helping to build a world in which saving the planet means something entirely different from what it would actually require. Making this visible is the aim of the social critique I propose here.

New Funding Opportunity: King’s-Ramón Areces Foundation PhD Scholarship (K-FRA)

Yutong Liu & Digit / https://betterimagesofai.org / https://creativecommons.org/licenses/by/4.0/

The Department of Digital Humanities is delighted to announce a prestigious new doctoral scholarship scheme, offered in partnership with the Ramón Areces Foundation.

The King’s–Ramón Areces Foundation PhD Scholarship Programme (K-FRA) is designed to support a researcher of Spanish nationality in undertaking full-time doctoral study within our department, starting in October 2026.

A comprehensive support package

The scholarship provides an exceptional level of support over three years of research, including:

  • Full tuition fees covered for the duration of the programme
  • An annual stipend of £22,780 (including London Weighting)
  • A £1,000 annual grant for research training and related support
  • Overseas student health cover and a standard-class return airfare between London and Madrid

Research themes

We welcome applications across the full breadth of Digital Humanities. We are particularly keen to receive proposals aligned with digital methods and cultural heritage, computational humanities and cultural AI, digital identities or governance, including projects that apply digital tools within the arts or wider cultural sectors.

As Paul Spence, Reader in Digital Humanities, notes:

The King’s-Ramón Areces PhD Scholarship Programme enables outstanding researchers to pursue innovative, internationally oriented doctoral work, strengthening long-standing academic links between UK and Spanish digital humanities researchers.

Key dates and how to apply

Application closing date: 13 February 2026.

To support prospective applicants, we will be hosting an online information session on 12 January, from 15.00 to 16.00 (UK time). To register your interest and receive access details, please complete the online registration form.

The session will provide further information about the programme, the application process, and the specific terms and conditions set by the Ramón Areces Foundation.

Find out more

For full eligibility criteria and detailed application instructions, please visit the official page of the King’s–Ramón Areces Foundation PhD Scholarship Programme (K-FRA).

Best overall student in MA Digital Humanities, 2024-2025

Congratulations to Kesara Ariyapongpairoj for being awarded “Best Overall Student in the MA Digital Humanities” in 2024-2025. 🎊

Kesara is a MA Digital Humanities graduate from King’s College London with a background in Philosophy. Her research focuses on how digital media and emerging technologies have transformed the production and dissemination of information, and the socio-political and cultural impact of online narratives in shaping belief systems and ideologies.

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a late autumn co-learning workshop on digital methods for social and cultural research

Last week Claudia AradauLiliana Bounegru and Jonathan Gray co-organised a late autumn co-learning workshop on digital methods for social and cultural research. 🍂🌱🐿️🦔

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Dr Rachael Kent wins historic case against Apple in £1.5 billion collective action

The case, Kent v Apple, was brought by Dr Rachael Kent, Senior Lecturer at King’s College London, who made history as the first female Class Representative in the UK’s collective action regime.

Dr Rachael Kent
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New Research Explores Gamified Friendships and Digital Intimacy on Douyin

A new open-access article by Hui Lin and Dr Rafal Zaborowski, both from the Department of Digital Humanities at KCL, examines how the Chinese platform Douyin (internationally known as TikTok) gamifies everyday social interaction.

The article was first presented at the 2024 International Conference on Social Media & Society where it was honoured with the prestigious Best Method Paper Award.

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Conference: “Quantitative Diachronic Linguistics and Cultural Analytics: Data-Driven Insights into Language and Cultural Change”

15-16 January 2026, King’s College London (Strand Campus)

Official website with the full call for abstracts here.

We invite submissions for the conference Quantitative Diachronic Linguistics and Cultural Analytics: Data-Driven Insights into Language and Cultural Change, to be held at King’s College London (Strand Campus, WC2R 2LS) on 15–16 January 2026. This is an in-person event.

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DANTE-AD: Dual-Vision Attention Network for Long-Term Audio Description

Wednesday 28 May 2025

12:00 PM – 2:00 PM

Location: WC2R 2LS

To register for this event, please follow this link.

Andrew Gilbert (University of Surrey), DANTE-AD: Dual-Vision Attention Network for Long-Term Audio Description

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Publication: Dell’essere-a-misura: corpie quantificazione

DDH’s Prof. Btihaj Ajana publishes a chapter in Italian language in the volume, “Incorporazioni: Prospettive storiche e teoriche”, edited by Angela Michelis and Francesco Pisano. The volume focuses on the multifaceted concept of the body, examining its role in shaping identity and subjectivity through a historical and conceptual lens.

Seminar | Ambiguity and Archive: Computational Hermeneutics of Conflict Poetry through RAG

Event organised by the Computational Humanities research group.

To register to the seminar, please fill in this form.

27 May 2025 – 4:30pm BST

Remote – Via Microsoft Teams.

In person – Details shared upon registration.

Jenny Kwok (University of Hong Kong), Ambiguity and Archive: Computational Hermeneutics of Conflict Poetry through RAG

Abstract

This presentation proposes a methodological bridge between computational literary studies and conflict historiography through AI-augmented archival analysis. Focusing on Northern Ireland’s Troubles poetry, the study leverages the Conflict and Politics in Northern Ireland Archive (CAIN) to construct a Retrieval-Augmented Generation (RAG) framework that dynamically contextualizes poetic ambiguity within historical narratives.

The framework reconciles the scalability of AI with humanities rigor by integrating close reading practices, machine-assisted contextualization, and archival metadata. It establishes a replicable model for analyzing contested histories while prioritizing political sensitivity through localized AI training, demonstrating how resource-limited institutions can conduct computationally intensive scholarship without dependence on proprietary systems.

A comparative analysis of humanistic and computational methods reveals that hybrid approaches—where archival grounding tempers machine learning outputs—reduce historical projection biases in sentiment analysis. This proves critical when interpreting poetic devices encoding sectarian dualism (e.g., metaphorized territoriality in Seamus Heaney’s work). The study further critiques the temporality of AI-archival integration, arguing that dynamic context-retrieval systems avoid flattening historical nuance compared to static training corpora.

The presentation concludes by proposing toolkits that enable scholars to employ for other conflict literatures, emphasizing adjustable parameters for geopolitical specificity. By decentralizing AI infrastructure and foregrounding archival multiplicity, this work advances interdisciplinary debates about computational criticism’s capacity to engage ethically with traumatic histories.

Bio

Dr. Jenny Kwok is Research Assistant Professor of the Faculty of Arts, University of Hong Kong, where she also serves as the Lab Coordinator of the Arts Technology Lab. Dr. Kwok’s research advances AI workflows for literary analysis, focusing on Irish conflict literature. She develops retrieval-augmented generation (RAG) systems to contextualize the ambiguity of Troubles-era poetry within historical archives, and fine-tunes LLMs for semantic analysis of Irish literary corpuses. Her methods prioritize sociopolitical sensitivity and literary nuances, countering AI’s tendency to flatten contested narratives.

Her forthcoming work proposes frameworks for democratizing AI in the humanities, emphasizing explainable AI (XAI) tools. This aligns with her reinterpretation of pre-digital methodologies (e.g., Josephine Miles’ concordance work) as blueprints for hybrid human-machine interpretation.

Dr. Kwok holds fellowship at the Cambridge Digital Humanities (2024-2025) and is Gale Scholar Asia Pacific, Digital Humanities Oxford (2026).