King's College London Digital Humanities – Page 21 – critical inquiry with and about the digital

DDH postgraduate students active in cultural AI event

Festival Grounded is a festival of electronic music, critical thinking and activism that will take place from 21. to 23.11. in Ljubljana, Slovenia. This year’s theme is Intimacy in the age of Artificial Intelligence, and we are extremely proud to announce that a former and a current student of our Big Data MA, Nika Mahnič and Kamila Koronska, are among the speakers of this year’s Festival Grounded, next to renowned researchers from the United Kingdom, namely Professors Kathleen Richardson, Andrew McStay and Vian Bakir.

Besides a progressive music programme, more than 30 speakers will present critical approaches and engage in debates on the role of information technology and specifically artificial intelligence in the interference with our everyday lives. For those interested, the event will be livestreamed here. The timetable shows times in CET (GMT + 1), as well as specify the language of the event.

One of the programme selectors was Big Data MA graduate Nika Mahnič, who wrote about the theme of this year’s edition: “Recognizing the complexity of the current situation, we strive towards literacy and the recognition of the role of artificial intelligence technologies, whose importance for economic growth is increasing in parallel with the growth of authoritarianism. For their smooth operation, artificial intelligence and robotics require big data that are importantly changing, limiting and directing our practices. While the pioneers of the Fourth Industrial Revolution are freeing up market barriers through enabling the legal subjectivity of machines or robots, it is essential to provide a platform for reflecting on the various interventions of machine intelligence into intimacy and spontaneity of everyday life.”

Nika has also published the article ‘Encountering bloody others in mined reality’ in the academic journal AI & Society, in which she explores interpersonal and human–computer interaction in the era of big data.

Congratulations to Nika and Kamila – we wish an excellent festival!

EVENT | Seen by Machine: Computational Spectatorship and the BBC Archive

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Film and television makers have been using computers in their practice for almost as long as computers have been around. Recently, they have incorporated machine learning techniques as creative tools in their craft. Creative machine learning holds the promise of the automation of the production and reproduction of visual culture, and this type of automated image-making presents to its audiences confounding pictures of authorship, authenticity and value. However, looking beyond the hype and the many misleading headlines about “creative machines”, there are powerful social and economic forces that have drawn artists and creators of all kinds to have an interest in machine learning.

Daniel Chavez Heras (King’s College London) collaborated with a small team of technologists at BBC R&D to create a system that generates sequences out of archive footage using machine learning. The results of these experiments were edited into the television programme Made by Machine: When AI met the Archive, which is now the first time machine learning has been used in this way to produce prime-time content for television. Through this example, Daniel will discuss the idea of audio-visual archives as “cultural big data”, and their automatic browsing as an instance of computational spectatorship: a way to understand how our visual regimes are increasingly mediated by machine-seers.

Bio: Daniel has been working with pictures and computers, in various capacities, for more than ten years. He trained as a designer in Mexico and has worked in creative roles in print media and television before joining the British Council as a digital manager, where he was responsible for the digital portfolio of the organisation’s operation in Mexico. In 2010 he was awarded a Jumex fellowship for the study of contemporary art, and he has since been awarded a Fulbright scholarship twice, although he ended up declining both times to come to study in the UK: first for an MA in Film Studies at King’s College London, and currently at the Department of Digital Humanities, also at King’s, where he is trying to teach computers to watch films for his PhD. Daniel is funded by Mexico’s Ministry of Education through its Science and Technology Research Council (CONACYT); he has published in English and Spanish in international peer-reviewed journals on films & computers, on videogames & art history, and has taught university courses, in both Mexico and the UK, on visual narrative, digital aesthetics, and most recently on the politics of online networks and social media. Daniel has also made a few personal short films (one of which was screened in the official selection at the UNAM International Film Festival in 2013).

This event is part of an ongoing seminar series on “critical inquiry with and about the digital” hosted by the Department of Digital Humanities, King’s College London. If you tweet about the event you can use the #kingsdhhashtag or mention @kingsdh. If you’d like to get notifications of future events you can sign up to this mailing list.

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Date and time

Thur 6 December, 2018

18:00-20:00

Location

Bush House Lecture Theatre 2 BH(S) 4.04, Level 4, South, King’s College London
30 Aldwych
London
WC2B 4BG

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EVENT | Predictive Policing & Big Data Analysis

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The application of ‘big data’ to make predictions about future behaviour is increasingly being applied in policing and by social services. The more it is important to publicly discuss this development and exchange knowledge about it.

Hosted by the Embassy of the Kingdom of the Netherlands and the Department of Digital Humanities, King’s College London, leading academics and practitioners from the Netherlands and the UK have been invited to discuss use cases of predictive analytics while not forgetting about its societal implications and ethical issues from privacy to biased algorithms.

Can prediction make our societies safer, as some say? Or is it itself an unsafe practice, as others fear? By exploring its complex details, this event hopes to contribute to an open discussion. We look forward to welcoming you at the Royal Society on Tuesday, 4 December 6pm. Besides members of the Dutch and British Police (tbc), our speakers will be:

Claudia Aradau, King’s College London: Claudia Aradau is Professor of International Politics in the School of Security Studies. Her current research analyses contemporary articulations of security and unknowns, particularly as mediated through data, algorithmic practices and digital devices.

Bob Hoogenboom, Nyenrode Business University: Bob Hoogenboom’s research is located in the field of fraud and fraud prevention, integrity issues and public-private collaboration in the security industry. He is Professor of Forensic Business Studies, member of Transparency International Nederland, and of the Netherlands Intelligence Study Association (NISA).

Wajid Shafiq, CEO of Xantura: Xantura is the leading provider of data sharing and advanced analytics to the public sector. It supports vulnerable groups. Wajid will elaborate on a pilot they are conducting on predictive policing in relation to domestic violence.

Marc Schuilenburg, VU University Amsterdam: Marc Schuilenburg works on the edge of Sociology, Philosophy and Criminology. He teaches in the Department of Criminal Law and Criminology, VU University Amsterdam. His last English book is The Securitization of Society. Crime, Risk, and Social Order (New York University Press).

Hosted by the Embassy of the Kingdom of the Netherlands & King’s College London.

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Date and time

Tue 4 December, 2018

18:00-20:00

Location

The Royal Society
6-9 Carlton House Terrace
Room: The Kohn Centre
London
SW1Y 5AG

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EVENT | The good life after work? Nostalgia and digital capitalism

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Description

Are people working in digital economies experiencing nostalgia for the “good life” of previous decades? What can we make of tensions between visions of “the end of work” and “life after work”? Join us for a seminar with Alessandro Gandini (King’s College London) where he’ll be previewing new research on nostalgia and digital capitalism.

The good life after work? Nostalgia and digital capitalism – Alessandro Gandini (King’s College London)

In the aftermath of World War II, Western societies experienced an unprecedented period of economic flourishing and societal advancement. At its core, the bedrock of that period was the availability of ‘jobs for life’, that became the precondition to living a ‘good life’ – with consumption being a means to social mobility.

However, the digital economy is emerging in the aftermath of decades of neoliberal policies of flexibilization, individualization and precarisation of work that undermined the stability of employment, and after a decade of economic recession. In this shift, the expectation of ‘jobs for life’ has largely vanished and the ideal of the “good life” has entered a (perhaps terminal) crisis. A hegemonic ‘nostalgic’ sentiment has, on the contrary, emerged – epitomised by the Brexit vote, the rise of Donald Trump and, more recently, the Italian election – around the difficulty to let go of the ideal of the ‘good life’.

Liaising with the ongoing debate on ‘post-work’ and ‘the future of work’, the talk will discuss the ‘good life’ after work. The talk will also feature findings from a questionnaire on this topic, distributed across November and December 2017 to 19-25 year old university students in London and Milan.

Bio: Alessandro Gandini (@afrontiercity) is a sociologist working as a lecturer in the department of Digital Humanities, King’s College, London. His research interests include the transformation of work, social relations and research methods in the digital society. He is the author of The Reputation Economy (Palgrave, 2016), the co-author of Qualitative Research in Digital Environments (Routledge, 2017) and a co- editor of Unboxing the Sharing Economy, part of The Sociological Review Monograph Series (2018).

This event is part of an ongoing seminar series on “critical inquiry with and about the digital” hosted by the Department of Digital Humanities, King’s College London. If you tweet about the event you can use the #kingsdh hashtag or mention @kingsdh. If you’d like to get notifications of future events you can sign up to this mailing list.

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Date and time

Wed 21 November, 2018

16:00-17:30

Location

Room S2.08, Strand Building
Strand Campus
King’s College London
London
WC2R 2LS

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EVENT | Exploring the impact of digital cultural heritage through collaboration

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Description

Julia Fallon from Europeana will discuss their Impact Playbook. It is an innovative co-production and good example of co-research in action.

Summary: Ahead of us is a challenge of producing better, more convincing evidence of how transformative access to digital culture can be. How it contributes to every day life, and how it can inspire us, quite literally improving our health and wellbeing. In 2017 Europeana launched the Impact Playbook; a practical tool to help drive change and impact in the cultural heritage sector. Developed collaboratively – it is a tangible step we have taken to help institutions learn, explore and assess their impact. The playbook has opened possibilities for many institutions to have conversations with their colleagues, their customers and their management. I will introduce the playbook, tell you a bit about the work we have done following it so far, what we have learned from it and where it goes next. I would also like to share our plans for the future and how we hope to support the growth of credible evidence for policymakers.

About Julia: As Senior Policy Advisor at Europeana, Julia Fallon works on developing frameworks (and playbooks) that motivate and facilitate cultural heritage institutions to open up their collections for reuse. Her time is split between managing copyright issues, the impact work and developing the RightsStatements.org Consortium.

Link to Playbook: https://pro.europeana.eu/what-we-do/impact?

Photo from: https://pro.europeana.eu/person/julia-fallon

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Date and time

Thur 15 November 2018

17:00 GMT

To book your place, please email Professor Simon Tanner (please note that spaces are limited):

simon.tanner@kcl.ac.uk

Simon Tanner | Pro Vice Dean (Impact & Innovation), Arts & Humanities

Professor of Digital Cultural Heritage
Department of Digital Humanities
King’s College London | S3.18 Strand Campus | London WC2B 5RL

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EVENT | Autonomous Smart Cities and Facts Beyond Smart Living

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Description

“Visa, the world’s largest credit card network, can predict how likely you are to get a divorce”.

“New York-based insurer Lemonade employs a chat-bot, “A.I. Jim,” which was recently credited with paying out a claim in under three seconds”.

Knowing the future may not always guarantee you a better life. Everything is moving towards super smart future development. With the deployment of pro-active sensing devices, the ever-growing use of smart phones, the advanced use of digital data analytics and the acceptance of AI – smart living is becoming a reality. Technology disruptors are accelerating their development with less of a focus on the human capacity of socioeconomic adaptability than on their financial interests. Hence it is urgent to find out the more about the future impacts of these technological shifts and their acceptance in order to mitigate unwanted and unforeseen future circumstances and to avoid living the rest of our lives in cities that we would not choose to live in.

Dr Md. Mamunur Rashid (Mamun) is as a Senior Research Fellow at King’s Business School, King’s College London. He is currently working in a leading Digital Analytics centre called “Consumer and Organizational Digital Analytics Research Centre (CODA)”. Previously, he worked as a Scientific Research Computing Specialist for 3 years in the Department of Engineering Science, at the University of Oxford. Prior to Oxford, he worked in the Physics Department, at Imperial College London. He was awarded PhD Scholarship to work at the European Organisation for Nuclear Research (CERN), Switzerland after he started his PhD at University of Cranfield. He was awarded a further scholarship by the Atlantic Association for Research in the Mathematical Sciences (AARMS) at the University of New Brunswick, Canada. He also obtained a CERN School of Computing programming diploma from the University of Gottingen, Germany. Coming from a strong infrastructure deployment and data analytical background as well as helping to build a number of data-intensive systems, Mamun now works on solving the diverse set of problems for finding impacts of state-of-the-technology technology in the area of IoT, Big Data, Block Chain, pattern recognition, Smart Infrastructure, Future Cities and Distributed HPC. He has interests in multi-disciplinary research spectrums focussing on a force for innovation, scientific discovery and potentially those can make a worldwide impact.

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Date and time

Wed 14 November 2018

16:00 – 17:30 GMT

Location

Old Anatomy Lecture Theatre (K6.29)
Strand Campus
King’s College London
London
WC2R 2LS

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EVENT | Digital Media and their Situational Analytics

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Description

How can digital data from online devices and platforms be used to do social and cultural research? What problem are we facing, when using digital media itself to understand how those technical innovations are situated in society? Join us for a departmental seminar with Noortje Marres (University of Warwick).

Why social research must become inventive in a digital age

Digital data and data tools enable new ways of reconciling foundational oppositions in social research, including those between content and context, abstraction and experience, trend and situation. This argument tends to involve the claim that automat-able data analysis now makes possible the empirical specification of contexts in ways that were previously understood to require ethnographic presence “in the field.”

In this seminar, Noortje Marres will discuss her on-going study of a digitally native phenomenon – user-led technology testing on Youtube, and look at the methodological difficulties of digital media to find that they are haunted by a blind spot. She will show that this blind spot has important consequences for the methodological approach of socio-technical situations, and how to become inventive to solve it.

Bio: Noortje Marres (@NoortjeMarres) is Associate Professor in the Centre for Interdisciplinary Methodologies at the University of Warwick, and a Visiting Professor in the Centre for Science & Technology Studies at the University of Leiden. She has published two monographs, Material Participation (Palgrave, 2015) and Digital Sociology (Polity, 2017). More info at www.noortjemarres.net.

This event is part of an ongoing seminar series on “critical inquiry with and about the digital” hosted by the Department of Digital Humanities, King’s College London. If you tweet about the event you can use the #kingsdhhashtag or mention @kingsdh. If you’d like to get notifications of future events you can sign up to this mailing list.

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Date and time

Wed 28 November, 2018

16:00-17:30

Location

Old Anatomy Lecture Theatre (K6.29)
Strand Campus
King’s College London
London
WC2R 2LS

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EVENT | Workshop: New Perspectives in the Digital Society

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Description

The blending of offline and online interaction has had many talk about a “digital society” within which human and nonhuman actors coexist, and social media become battlefields for culture wars. The contours of this “digital society”, however, are still to be questioned. In this workshop we will discuss some of the most interesting, cutting-edge research on the emergent “digital society”. How do we interpret key events and issues concerning the “digital society”? What are the key critical aspects that pertain to its emergence? What are the new frontiers of explorations to research societal issues in the digital era?

Programme

The workshop is free to attend. Provisional schedule below.

1.30 pm: Introduction

1.45 pm: Keynote 1 – “Engineering Intimacy in a Digital Society”, Kate Devlin (King’s College, London)

2.40-3.40 pm: Panel 1: Digital Sociality

Alessandro Caliandro (University of Bath)
Sophie Bishop (King’s College London)
Daniel Chavez Heras (King’s College London)

3.40 – 4 pm: Coffee break

4 – 5 pm: Panel 2: Roundtable: Digital Methods for the Digital Society?

Alessandro Gandini (King’s College London)
Alessandro Caliandro (University of Bath)
Jonathan Gray (King’s College London)
Others

5 – 5.45 pm: Final keynote: “Content moderation: Assemblages of Silence on Social Media”, Ysabel Gerrard (University of Sheffield)

5.45 – 6 pm: Conclusive remarks

Link to attend: https://www.eventbrite.co.uk/e/ecr-workshop-new-perspectives-in-the-digital-society-kings-college-centre-for-digital-culture-tickets-51468584923

Photo by rawpixel on Unsplash

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Date and time

Wed 7 November, 2018

13:30-18:00

Location

King’s Building, room K-1.14
Strand Campus
King’s College London
London
WC2R 2LS

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EVENT | Understanding the uses and impacts of iconic cultural images in the digital world

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Description

• What makes a cultural image memorable?
• Can memorability be transferred into the digital sphere?
• Do iconic images function in the same way online as they do offline?

Through this collaborative event, we aim to explore why certain historical and cultural images are remembered and considered to be iconic. We also wish to understand how public engagement with these images changes once they are shared online. Through discussion of the various uses and impacts of cultural images online, we hope to understand better the relationships between images, memory and the digital.

The central purpose of this event is to create a collaborative space for academics and practitioners from cultural institutions to share knowledge and experience of the uses and impacts of historical and cultural images online. The event will host discussion between those from academic and cultural institutions, encourage collaboration and gather suggestions for future areas of research.

Programme

Time	Session
09:00-09:30	Registration
09:30-09:50	Introduction and opening remarks Katherine Howells and Professor Simon Tanner
09:50-10:55	Understanding cultural images: memory, fame and the iconic Peirce and the Digital Transformation of Signs William J. Littlefield II, Case Western Reserve University What makes an image iconic? Tracking the uses and meanings of Second World War propaganda posters in the digital world Katherine Howells, King’s College London
10:55-11:05	Break
11:05-12:10	Viewing cultural images: audiences, users and visitors Seas of red: the flood of Tower of London Poppies images in 2014 Megan Gooch, Historic Royal Palaces The Image of Aylan Kurdi and the Cultural Memory of the 21st Century Refugee Crisis Diviani Chaudhuri, Shiv Nadar University
12:10-13:10	Lunch
13:10-14:15	Using cultural images: sales, promotion and education Dorothea Lange and Japanese American internment Rachel Pistol, King’s College London The First Roll of History: Press Photographs and The Bosnian War Jackie Teale, Royal Holloway, University of London
14:15-14:30	Break
14:30-15:35	Managing and studying cultural images: new methods, systems and techniques Metadata and Image Content in the Warburg Institute Iconographic Database Rembrandt Duits and Richard Gartner, Warburg Institute Looking for inspiration: the use of image libraries by art historians Christina Kamposiori, University College London
15:35-16:20	Discussion session

Click here to register for the event. See the call for papers here.

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Date and time

Wed 3 October 2018
9:30 – 16:30

Location

FWB 2.81
Franklin-Wilkins Building
King’s College London
150 Stamford St
London
SE1 9NH

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Call for papers: Understanding the uses and impacts of iconic cultural images in the digital world

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Description

• What makes a cultural image memorable?
• Can memorability be transferred into the digital sphere?
• Do iconic images function in the same way online as they do offline?

Themes and presentation topics

Understanding cultural images: memory, fame and the iconic
- Meanings in images
- Cultural memory of images
- Iconic images
Viewing cultural images: audiences, users and visitors
- Insights into visitors’ and web users’ engagement with museum/archive images
- Research into the effect of the internet on people’s engagement with cultural/historical images
- Labelling and interpretation of images in museums and galleries
Managing and studying cultural images: new methods, systems and techniques
- Development of new digital image management or dissemination systems
- Development of cultural institution/archive public websites
- New digital methods to help track uses of cultural images online
- Open access and metadata
Using cultural images: sales, promotion and education
- Insights into sales of cultural images online
- Insights into digitization, preservation and promotion of museum/archive images
- Uses and impacts of cultural images on social media
- Images use in education programmes
- Image use inside the museum and outside the museum

We welcome proposals for 20-minute papers from anyone with academic or professional interests and experience in the above topics. Please email proposals of no more than 250 words, along with a 150-word biography, by 31 August 2018 to Katherine Howells at katherine.howells@kcl.ac.uk.

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Date and time

Wed 3 October 2018
9:30 – 16:30

Location

Strand Campus
King’s College London
London
WC2R 2LS

[button open_new_tab=”true” color=”accent-color” hover_text_color_override=”#fff” size=”medium” url=”mailto:katherine.howells@kcl.ac.uk” text=”Submit a proposal” color_override=””]

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