EVENT | “Good Data” – London book launch + workshop 09.05.19

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Join us for the London launch of the open access Good Data book (Amsterdam: Institute of Network Cultures, 2019) with editors and authors associated with the book, hosted at the Department for Digital Humanities, King’s College London.
 
In recent years, there has been an exponential increase in the collection and automated analysis of information by government and private actors. In response to the totalizing datafication of society, there has been a significant critique regarding ‘bad data’ practices. The book ‘Good Data’, that will be launched at this event, proposes a move from critique to imagining and articulating a more optimistic vision of the datafied future.
 
With the datafication of society and the introduction of new technologies such as artificial intelligence and automation, issues of data ethics and data justice are only to increase in importance. The book ‘Good Data’, edited by Angela Daly, S. Kate Devitt and Monique Mann, examines and proposes ‘good data’ practices, values and principles from an interdisciplinary, international perspective. From ideas of data sovereignty and justice, to manifestos for change and calls for activism, this edited collection opens a multifaceted conversation on the kinds of futures we want to see. The book presents concrete steps on how we can start realizing good data in practice, and move towards a fair and just digital economy and society.
 
The book can be found here for free download (in various formats): http://networkcultures.org/blog/publication/tod-29-good-data/
 
The Institute of Network Cultures has published a series of blogposts from Good Data authors summarising their Good Data interventions, which can be found here: http://networkcultures.org/blog/
 
A provisional schedule is as follows:
  • Welcome – Jonathan Gray
  • Introduction to the Good Data Project & Overview of the Book: Angela Daly & Kayleigh Murphy
  • Presentations (moderated by Angela):
    • Sefa Ozalp
    • Chiara Poletti/Daniel Gray
    • Colin Porlezza
    • Jonathan Gray
  • Q&A/panel discussion
  • Informal discussion
 

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Date and time

Thu, 9 May 2019
16:00 – 18:00 BST

Location

Safra Lecture Theatre, King’s Building
Strand Campus, King’s College London
London
WC2R 2LS

 

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EVENT | Language and Space in Public Imagination | Willard McCarty Fellowship Lecture Series 11.06.19

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This event introduces two 2018-19 Willard McCarty’s Fellowship holders Antonina Puchkovskaia ((Associate Professor, ITMO University, Saint-Petersburg, Russia) and Anguelina Popova (Director, Center for Teaching, Learning, and Technologies, American University of Central Asia, Kyrgyzstan). Their lectures will explore the intersections of language, tradition, and space in the historical and cultural contexts. Chaired by Stuart Dunn, the event will also feature two short talks on the intersecting ideas.

This event is free to attend, please register your interest on Eventbrite:

Prof WILLARD MCCARTY (Professor of Humanities Computing Emeritus, King’s College London)

Computing  | Humanities: What’s the Relationship? (10 min)

 

STUART DUNN (Senior Lecturer in Digital Humanities & Deputy Head of the Department of Digital Humanities, KCL)

Territoriality in cyberspace: dealing with contested geographies in the age of Google Maps (20 min)

This talk will offer a brief overview of how conflict and competing claims on physical land are represented in the digital world. Drawing on examples from Cyprus and Greece, it will ask the question of how “the digital” is driving us to reconsider the idea of what a border is. How are digital “borders” formed, defined and policed?

 

GABRIELE SALCIUTE CIVILIENE (Lecturer in Digital Humanities Education)

Thinking and Modelling Spatio-Temporality across Languages (20 min)

Language helps us talk about mental representations of time and space. The metaphors of spatializing time and temporalizing space differ, revealing how we reason across cultures. Language use and text making, on the other hand, are situated in and enmeshed with our being in and experience of time and space whose intimacy, specificity, and multiplicity are hidden underneath the conventionalized surface of texts. In this talk, I will consider how the computing of translations by repetemes (i.e. strings of repetitions) opens up, among other things, a possibility for modelling spatio-temporal patterns that instantiate Gadamer’s being-in-the-world-through-being-in-language.


ANTONINA PUCHKOVSKAIA (Associate Professor, ITMO University, Saint-Petersburg, Russia)

Inaugural Lecture on Visualizing St Petersburg Based on Russian Corpus Analysis (45 min)

What is/are Digital Humanities? How to rise a research question challenging enough for both Humanities and Computer Science fields? What are the challenges of doing DH at the predominantly STEM-based University? This lecture will revolve around interdisciplinary research in progress situated at the intersection of history, librarian studies, cultural studies, and information technologies. The aim of this research is to create an open-source-software-based web application by using historical and cultural heritage data on the key landmarks of St. Petersburg. Our deliverables are an educational database and web/mobile applications into which users will be able to tap by means of retrospective visualization and an interactive city map that would track nearby objects via user’s geolocation. To that end, we are analyzing both sources and records. In our case, sources are manuscripts that range from a single paragraph to a multi-volume book. Records are source fragments that can range from a single record to hundreds of sections, pages, or paragraphs in a book. Our database schema links people, occasions, and dates based on primary sources. Finally, all objects are being mapped onto an interactive city map of St. Petersburg, the interface of which will facilitate easy navigation and allow filtering by different categories such as restaurants, music salons, and apartments.

 

ANGUELINA POPOVA (Director, Center for Teaching, Learning, and Technologies, American University of Central Asia, Kyrgyzstan)

Tracking the Nomads: How Digital Humanities Can Assist the Preservation and Deeper Understanding of an Ancient and Living Oral Tradition (35 min)

This talk will revolve around three major threads as follows:

  • The nomadic culture of the Kyrgyz and why we find it interesting to study;
  • The Manas epos and the studies of the epos;
  • The contribution of the American University of Central Asia, in particular of James Plumtree, and the AKYN project, to a fresh look at the Manas epos.

I will introduce the digital aspect in working with this vast oral tradition. While the epos constitutes a significant part of the cultural heritage of the Kyrgyz, and has been used as a nation- building block after the collapse of the Soviet Union (including being part of a higher education state exam), the tradition has been considered as a fixed one. This significantly mutilates the oral tradition as a rich and evolving one. We are working on studying and demonstrating how the tradition has evolved over time, and our project has been significantly facilitated by the digital humanities tools. The talk will present the venues which have been used, and those that can be used, to map historical events, migrations, and languages within and beyond the Manas epos and other oral traditions of the region.

Q&A session

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Date and time

Tues, 11 June 2019
16:00 – 18:00 BST

Location

King’s College London
30 Aldwych
Bush House Room(SE) 2.10
South-East Wing
London WC2B 4BG

 

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EVENT | Hacking the museum? Collections makerspaces in London cultural institutions 08.05.19

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How are experimental spaces institutionalised within cultural organisations? Where do spaces for making and hacking come from? Join us for a public talk with Kat Braybrooke (University of Sussex). Hacking the museum? Collections makerspaces in London cultural institutions – Kat Braybrooke (University of Sussex) What kinds of spaces are produced when the radical practices of once-rebellious digital subcultures, like those of hackers and makers, are institutionalised? This talk examines the recent phenomenon of ‘collections makerspaces’, or public sites in cultural institutions that offer free suites of creative tools aimed at inspiring new interactions with artefacts and collections through hands-on making practices. We will begin by locating these sites within a wider history of sociotechnical transformation amongst museums and shared machine shops (from hackspaces to media labs) in Britain since the 1970s, a negotiation that has become increasingly dominated by institutional and corporate collaborations. We will then explore findings from a year-long ethnography of three different kinds of collections makerspaces at Tate, British Museum and Wellcome Collection in London, taking a look at how the ‘space’ of each site is continually produced by its social relations and imaginaries. In conclusion, it will be argued that the collections makerspace is emerging (but at the same time, also dissolving) as a key locus of critical institutional inquiry, where the hegemonic traditions of museums in Britain can be examined, contested and possibly even transformed.

 

Bio: Kat Braybrooke (@codekat) is a sociotechnical researcher and critical maker whose work explores the politics of creative digital practices, institutions and communities. She is currently completing her doctoral thesis with the University of Sussex Humanities Lab, and received a MSc Digital Anthropology from University College London in 2013 for an ethnography of gender and identity concerns amongst 30 young hackers in Europe. Before her current research, Kat spent a decade working with cause-based organisations like Mozilla, the Open Knowledge Foundation and the Simon Fraser University Centre for Dialogue to help digital consumers become producers through implementations of open technologies, and she serves on the editorial board of the Journal of Peer Production.
 
This event is part of an ongoing seminar series on “critical inquiry with and about the digital” hosted by the Department of Digital Humanities, King’s College London. If you tweet about the event you can use the #kingsdhhashtag or mention @kingsdh. If you’d like to get notifications of future events you can sign up to this mailing list.
 
 

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Date and time

Wed 8th May 2019 16:30-18:00 BST

Location

S-2.18, Strand Building
Strand Campus, King’s College London
London
WC2R 2LS

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Project | Reframing Art: Opening up Art Dealers’ Archives to Multi-Disciplinary Research

“Reframing Art: Opening up Art Dealers’ Archives to Multi-Disciplinary Research” is centred on a collaboration between the Department of Digital Humanities and King’s Digital Lab at King’s College London and the National Gallery, London, funded by the Cultural Institute at King’s.

King’s lead researcher: Stuart Dunn

Associated organisations: National Gallery, London, the Getty Foundation, King’s Digital Lab

The focus of this research is the relationship between the circulation of works of art and their archival information, and how scholars can explore and enhance those relationships by investigating the archives as multivariate networks of information. The team is led by Stuart Dunn, Senior Lecturer in Digital Humanities, with support from King’s PhD candidate Valentina Vavassori and in association with Alan Crookham and Barbara Pezzini from the National Gallery.

This multi-disciplinary research project has been chosen to participate in the two-year Network Analysis + Digital Art History Workshop, funded by the Getty Foundation through its Digital Art History initiative.

For more information about the workshop and the Reframing Art project, visit the Network Analysis + Digital Art History website

EVENT | Taking Stock: Researching Generic Images Across Representation, Circulation And Recontextualization 01.05.19

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How can we study the meanings and circulation of generic images online? Join us for a public talk with Giorgia Aiello (University of Leeds).

Taking Stock: Researching Generic Images Across Representation, Circulation And Recontextualization – Giorgia Aiello (University of Leeds)

The bulk of images that we encounter in everyday life are generic images from global image banks like Getty Images and Shutterstock. Nevertheless, pre-produced, ready-to-use stock images are most often overlooked rather than looked at. Whether it is because of its poor quality, extreme blandness, lack of veracity, or exploitative cheapness, stock imagery is frequently discounted as insignificant and rarely taken seriously. Yet, in spite of all current emphasis on user-generated imagery as a dominant mode of communication in contemporary visual culture, we quite literally swim in an ocean of images that were made for and are distributed by a handful of corporations.

Following Paul Frosh’s groundbreaking work on pre-digital stock photography, I argue that stock images are not just the ‘wallpaper’ of consumer culture, but are also central to the ambient image environment that defines our visual world. Key challenges in researching stock images are linked to their very essence in this regard, that is, their genericity. In this talk, I will outline some of the ways in which my collaborative work attempts to tackle some of these challenges in order to examine the meanings and implications of stock imagery. Through a combination of digital methods, visual analysis and interviews, this work links considerations about representation, circulation and recontextualization together with aspects of production to develop an empirical, critical understanding of generic images and image banks. To illustrate this approach, I will draw from three recent collaborative projects on feminist stock photography, generic visuals in the news, and representations of teens and technology in news media.

Bio: Giorgia Aiello (@giorgishka) is Associate Professor and Director of Research and Innovation in the School of Media and Communication at the University of Leeds. Giorgia’s work focuses on the politics and potentials of visual, multimodal, and material communication. Her book Visual Communication: Understanding Images in Media Culture (with Katy Parry) will be published by SAGE at the end of 2019.

This event is part of an ongoing seminar series on “critical inquiry with and about the digital” hosted by the Department of Digital Humanities, King’s College London. If you tweet about the event you can use the #kingsdhhashtag or mention @kingsdh. If you’d like to get notifications of future events you can sign up to this mailing list.

 

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Date and time

Wed 1 May 2019
16:00 – 18:00 BST

Location

The Old Anatomy Lecture Theatre, K6.29
Strand Campus, King’s College London
Strand
London
WC2R 2LS

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EVENT | Neurons spike back. The invention of inductive machine and the Artificial intelligence controversy 24.04.19

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Where do the predictive techniques of machine learning come from? How do they draw on previous “connectionist” and “symbolic” approaches in the history of artificial intelligence research? Join us for a public talk with Dominique Cardon (Sciences Po Médialab) at the Department of Digital Humanities, King’s College London.

Neurons spike back. The invention of inductive machine and the Artificial intelligence controversy – Dominique Cardon (Sciences Po Médialab)

Since 2010, machine learning based predictive techniques, and more specifically deep learning neural networks, have achieved spectacular performances in the fields of image recognition or automatic translation, under the umbrella term of “Artificial Intelligence”. But their relation to this field of research is not straightforward. In the tumultuous history of AI, learning techniques using so-called “connectionist” neural networks have long been mocked and ostracized by the “symbolic” movement. This talk retraces the history of artificial intelligence through the lens of the tension between symbolic and connectionist approaches. From a social history of science and technology perspective, it seeks to highlight how researchers, relying on the availability of massive data and the multiplication of computing power have undertaken to reformulate the symbolic AI project by reviving the spirit of adaptive and inductive machines dating back from the era of cybernetics.

The hypothesis behind this communication is that the new computational techniques used in machine learning provide a new way of representing society, no longer based on categories but on individual traces of behaviour. The new algorithms of machine learning replace the regularity of constant causes with the “probability of causes”. It is therefore another way of representing society and the uncertainties of action that is emerging. To defend this argument, this communication will propose two parallel investigations. The first, from a science and technology history perspective, traces the emergence of the connexionist paradigm within artificial intelligence techniques. The second, based on the sociology of statistical categorization, focuses on how the calculation techniques used by major web services produce predictive recommendations.

This talk will be partly based on the article (in French): Cardon (Dominique), Cointet (Jean-Philippe), Mazières (Antoine), « La revanche des neurones. L’invention des machines inductives et la controverse de l’intelligence artificielle », Réseaux, n°211, 2018, pp. 173-220.

Bio: Dominique Cardon (@karmacoma) is Professor of sociology and director of the Sciences Po Médialab. He is working on the transformation of the public space and the uses of new technologies. He published different articles on the place of new technologies in the no-global movement, alternative media and on the process of bottom-up innovations in the digital world. His recent research focuses on the analysis of the power of algorithms in the classification of digital information. His work seeks to articulate the sociology of science and technology with a sensitive approach to the transformations of contemporary social worlds. He is currently working on the social effects of the generalization of machine learning techniques in an ever-increasing number of situations of everyday life.

His publications include La démocratie Internet (Paris, Seuil/République des idées, 2010), (with Fabien Granjon), Médiactivistes, Paris, Presses de Science po, 2010, (with Antonio Casilli), Qu’est-ce que le digital labor ?, Paris, Ina Éditions, 2015, A quoi rêvent les algorithmes, Paris, Seuil, 2015. In english : “Deconstructing the algorithm: four types of digital information calculations”, in Seyfert (Robert), Roberge (Jonathan), eds, Algorithmic Cultures. Essays on meaning, performance and new technologies, New York, Routledge, 2016, pp. 95-110.

This event is part of an ongoing seminar series on “critical inquiry with and about the digital” hosted by the Department of Digital Humanities, King’s College London. If you tweet about the event you can use the #kingsdhhashtag or mention @kingsdh. If you’d like to get notifications of future events you can sign up to this mailing list.

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Date and time

Wed 24 April 2019
17:00 – 18:30 BST

Location

Safra Lecture Theatre,
King’s Building
Strand Campus,
King’s College London
London
WC2R 2LS

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EVENT | Spotify Teardown: Inside the Black Box of Streaming Music 10.04.19

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This event has been cancelled.
 
How do music streaming services such as Spotify work? What is their product? What is involved in their recommendation engines? How can they be studied? Join us for a talk with Patrick Vonderau (Martin Luther University in Halle). Spotify Teardown: Inside the Black Box of Streaming Music – Patrick Vonderau The talk introduces a 4-year collaborative research project (2014-2018) investigating Spotify, the Swedish music streaming service. Borrowing the notion of teardown from reverse engineering processes, the project aimed to disassemble the way Spotify’s product is commonly conceptualized. While long seen as pioneering solutions to issues of concern to the music industry, Spotify recently has prompted such critical scrutiny. What is the substance of the service that the company claims to offer? What distinguishes Spotify and other platforms from traditional media companies? In taking up these and other questions, the project performed “teardowns“ in an imaginative rather than purely technical sense: publicly, through interventions and experimental methods. The talk presents the project’s general background and approach, some of the research and its methods, as well as reflections about the ethics of doing this line of critical research on digital media companies. Bio: Patrick Vonderau is Professor at the Department for Media and Communication Studies at Martin Luther University in Halle, Germany. Recent book publications include the co-authored Spotify Teardown: Inside the Black Box of Streaming Music (MIT Press, 2019) and Advertising and the Transformation of Screen Cultures (Amsterdam University Press, 2019). Patrick currently holds a three-year grant for the project Shadow Economies of the Internet (Swedish Research Council, together with Johan Lindquist, Stockholm University). He is a co-founder of NECS-European Network of Cinema and Media Studies (necs.org). This event is part of an ongoing seminar series on “critical inquiry with and about the digital” hosted by the Department of Digital Humanities, King’s College London. If you tweet about the event you can use the #kingsdhhashtag or mention @kingsdh. If you’d like to get notifications of future events you can sign up to this mailing list.

 

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Date and time

Wed 10th April 2019
16:00-17:30 BST

Location

Bush House, Lecture Theatre 1 BH(S)1.01
Bush House South Wing,
King’s College London
London WC2R 1ES    

 

 

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EVENT | Humanities Laboratories: Critical Infrastructures and Knowledge Experiments 23.05.19

Whether physical or digital, or a combination of both, modern laboratories have become places, infrastructures, and frameworks for the Humanities to forge ideas, visions, experiments, and collaborations. The event will revolve around the critical and epistemological roles of humanities labs in supporting and extending academic research and learning beyond traditional classrooms.

The event will be hosted by the Department of Digital Humanities (DDH) with King’s Digital Lab (KDL), in conjunction with the Critical Infrastructure Studies (https://cistudies.org/) initiative. It will be chaired by Arianna Ciula (Deputy Director & Senior Research Software Analyst, KDL), and introduced by James Smithies (Director, KDL | Deputy Director, KCL eResearch) and Jonathan Gray (Co-founder of the Public Data Lab, and Lecturer in Critical Infrastructure Studies, DDH, KCL). At the centre of this event is the talk of 2018-19 Willard McCarty’s Fellowship holder Urszula Pawlicka-Deger (Postdoc Researcher, Department of Media, Aalto University, Finland) who will share her extensive experience of building, theorizing about, and working within humanities labs.

JAMES SMITHIES (https://www.kdl.kcl.ac.uk/who-we-are/dr-james-smithies/)

“The Epistemology of the Machine: Natural Philosophy, Digital Laboratories, and the Humanities” (20 min)

Digital Humanities laboratories, where teams of software engineers collaborate with researchers on work ranging from large funded projects to sundry experiments, provide unexpected insights into the current state and future potential of the humanities. King’s Digital Lab (KDL) at King’s College London – a large team by contemporary standards – demonstrates how these facilities contribute to theory, method, and the wider knowledge environment. This talk describes KDL from methodological, epistemological, technological, and business perspectives in an attempt to align the lab to the longue durée of history. The ‘collision’ of these elements in the physical space of a central London laboratory offers a complex interpretative domain, as rich in potential meaning and implication as scientific laboratories studied in earlier decades. The various methodologies used in the lab present a complex entanglement of humans and machines with the economics of contemporary academia, but also an experimental space where the future of the humanities is – for better or worse – being influenced.

JONATHAN GRAY (https://jonathangray.org/)

“Experiments in Re-assembly? Reflections from the Public Data Lab” (20 min)

This talk will provide reflections on the development of the Public Data Lab (PDL), a network of researchers and research centres from across Europe established with the aim of facilitating collective inquiry and democratic engagement around the future of the data society. Positioning the lab in relation to the research upon which it draws upon – including science and technology studies (STS), media studies and digital methods research – the talk will explore some of the different approaches and formats to participatory research in the data society that have emerged in the course of its projects and activities, including around “fake news”, air pollution, data infrastructures, public facts, networks, visualisations and algorithms.

URSZULA PAWLICKA-DEGER (http://pawlickadeger.com/)

“A Laboratory as Critical Infrastructure in the Humanities” (60 min)

Laboratories have entered the humanities as a new infrastructure aimed at transforming the humanities into an experimental, collaborative, and technology-driven discipline. With the spread of the idea of the laboratory into academic spaces, city spaces, and cultural institutions, the definition of lab has been extended significantly. A laboratory goes beyond the notion of a physical place involving specialized instruments and hands-on scientific exploration, becoming, instead, a widely understood project. A laboratory is thus more than infrastructure; it is a “conceptual vehicle” (Critical Media Lab at the Academy of Art and Design FHNW) and it involves “new ways of engaging with public audiences” (the Humanities Laboratories at Duke University). In short, a laboratory can be conceptualized as a way of thinking that entails new social practices and new research modes. Thus, a lab can be established anywhere. The only condition for creating a lab is community: a lab is constituted by and for the people gathered together to address particular challenges.

My goal is to present the impact of the laboratory through two different perspectives: infrastructural changes in the humanities and structural changes through the humanities. I attempt to go beyond the discussion of a laboratory as a research infrastructure to investigate it as the infrastructure of engagement in social and global challenges. Hence, I pose the following questions: How does a laboratory grow from a physical workspace into actions taken around challenges? How does a laboratory become the driving force of the engaged humanities? How can changes be made through the (digital) humanities infrastructure? Drawing on the sociology of scientific knowledge, laboratory studies, and critical infrastructure studies, I will address these questions and explore the laboratory as a platform for systemic changes.

This talk will consist of two parts. In the first part, I will present three discourses that gave rise to the laboratory in the humanities: the transformation of the humanities infrastructure within the university, the paradigm shifts in the social sciences, and the expansion of particular cultural categories. Further, based on an interactive map of laboratories (humanities labs, digital humanities labs, and media labs) established around the world, I will sketch the history of the lab in the humanities within a global context from the 1980s to 2018. Next, I will determine models for humanities labs based on laboratories’ statements and operations, including the techno-science, workstation, and virtual models. The second part of the lecture aims to examine the lab structure critically and reflect on its potential for the engaged humanities. Referring to social lab theorists, I will seek to answer questions as to how humanities research can be translated into action and how a laboratory drives this process. The analysis will be based on different forms of laboratories seen as sites of interventions: the lab as a challenge-centric space, coalition, and community platform.

Tea, coffee, and pastries provided.

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Register

Register on the Eventbrite: https://bit.ly/2TRnwnw.

Date and time

Thursday 23rd May 2019
14:00-16:00 GMT

Location

Bush House, Room: South-East Wing (SE) 2.10
King’s College London, Strand, Bush House, 30 Aldwych, WC2B 4BG

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EVENT | Intersections of Race, Gender and Class in Vegan Vlogging 19.03.19

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As the sixth talk in the Early Career Research Talks series, Ella Fegitz will give a presentation entitled ‘Intersections of Race, Gender and Class in Vegan Vlogging’.

In this talk, I explore the intersection of gender, class and race in the construction of the vegan self in Western culture, and the inequalities that it engenders. An analysis of contemporary vegan vlogging shows how the subject that emerges is white, middle-class and gendered, both explicitly and implicitly ways. Explicitly, because the most visible vegan subject in vegan vlogging is almost always a white, cis-woman. Implicitly, because it reproduces gender discourses of food practices conventionally associated with white middle-class femininity, in terms of moral elevation through physical deprivation and constraint, which are very different from discourses about black femininity and their relationship with food. Ultimately, this talk will explore how veganism is not neutral, but is gendered, raced and classed.

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Date and time

Tue 19th March 2019
13:00-13:45 GMT

Location

Bush House S 2.02
Strand Campus, King’s College London
Strand
London
WC2R 2LS

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EVENT | Digital ANT: The Agency of Replications 27.03.19

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How can studies of digital societies account not just for digital objects, but also signals and replications? Join us for a public talk with Dominique Boullier (Ecole Polytechnique Fédérale de Lausanne).

Digital ANT: The Agency of Replications – Dominique Boullier (Ecole Polytechnique Fédérale de Lausanne)

Digital platforms (from social networks to IoT) generate, analyze and sell more and more traces. The social sciences, under certain conditions, can finally benefit from a quasi-experimental field to study the processes of propagation, contagion and influence and to account in particular for the power to act of the entities that circulate, which I propose to think of as replications. This makes it possible to complement the powers of structures on the one hand and individual preferences on the other, which have been formalised by previous periods of social quantification. Actor Network Theory was born to contest the hegemony of these frameworks and to distribute agency to “non humans”. A digital ANT should not only focus on objects but on signals and memes that find their way through our minds and make us act, as Tarde proposed.

Bio: Dominique Boullier is professor of sociology at EPFL (Ecole Polytechnique Fédérale de Lausanne, Digital Humanities Institute). He was the scientific coordinator of the medialab (Sciences Po Paris) from 2009 to 2015 together with Bruno Latour. He created and managed many labs (Lutin User Lab, Cité des Sciences, Paris, Costech in Compiègne) and a company in the 90s. His main research topics focus on digital sociology, replications and propagation, events and urban climates, technical architectures on Internet.

This event is part of an ongoing seminar series on “critical inquiry with and about the digital” hosted by the Department of Digital Humanities, King’s College London. If you tweet about the event you can use the #kingsdhhashtag or mention @kingsdh. If you’d like to get notifications of future events you can sign up to this mailing list.

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Date and time

Wed 27th March 2019 15:30-17:00 GMT

Location

Bush House, Lecture Theatre 1 BH(S)1.01 Strand Campus, King’s College London Strand London WC2R 2LS [button open_new_tab=”true” color=”accent-color” hover_text_color_override=”#fff” size=”medium” url=”https://www.eventbrite.co.uk/e/digital-ant-the-agency-of-replications-tickets-53902719485″ text=”Register” color_override=””] [/one_fourth_last]