Contemporary art institutions, much like cultural heritage museums around the world, face a process of deep transformation through digitalisation, except that for contemporary art institutions such a process ventures into the material foundations of the artworks themselves: digital technology has become a creative medium for artists, while most recently, Artificial Intelligence, especially machine learning (ML), …
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Supported by the Department of Digital Humanities (DDH) at King’s College London, Distant Reading across Languages (DRaL) is a collaborative project between DDH and KDL with a interdisciplinary team, including experts from research software engineering, UI/UX design, computational linguistics, and literary studies. The objective of the project is to experiment with the methods of distant …
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“Reframing Art: Opening up Art Dealers’ Archives to Multi-Disciplinary Research” is centred on a collaboration between the Department of Digital Humanities and King’s Digital Lab at King’s College London and the National Gallery, London, funded by the Cultural Institute at King’s. King’s lead researcher: Stuart Dunn Associated organisations: National Gallery, London, the Getty Foundation, King’s …
Blending research-focused and performance-driven critique, the project addresses the implications of hyper-connectivity in intimate relations by looking at the mechanics of blockchain technologies applied to dating cultures. Dr Alessandro Gandini – academic lead Marija Bozinovska Jones – artistic lead Technologically Fabricated Intimacy – dating apps, gamification and blockchain technologies is a collaboration between King’s College London’s Department of …
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A research project funded by the AHRC to foster collaboration between Public Health and Arts & Humanities. King’s and the London School of Health and Tropical Medicine are leading a group that includes researchers from SOAS and Marie Stopes International (MSI) Cambodia. The project looks at how workers in garment factories in Cambodia use mobile …
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Our research project “Our Data Ourselves” was an AHRC-funded grant being undertaken at King’s College London in 2013-15, to broadly consider the personal data generate in the everyday lives of young people, through their mediated, cultural and communicative practices. Our aims are to increase our understanding of the nature and role of the data that …
This project considers how the ubiquity and specificity of digital culture come into dialogue with food culture (nb. Rousseau 2012). In what ways do routine digital technologies – for instance, social media platforms, smartphone apps and algorithms – contribute to the ethical, political, economic and social registers of cooking and eating? How do these technologies …
Frontispiece to Charles Howard Hinton’s 1904 book The Fourth Dimension, illustrating the tesseract, the four-dimensional analog of the cube. Hinton’s spelling varied: also known, as here, “tessaract”. In an 1880 article entitled “What is the Fourth Dimension?”, Hinton suggested that points moving around in three dimensions might be imagined as successive cross-sections of a static …
In a 2016 report on ‘Connecting Refugees’, the UNHCR argued that ‘a lack of connectivity constrains the capacity of refugee communities to organise and empower themselves, cutting off the path to self-reliance’. Connectivity thus articulates the simultaneous improvement of refugees’ lives and the transformation of humanitarianism by developing a new digital ecosystem for refugees. In …
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King’s College Digital Humanities together with the Institute of Historical Research investigates ‘Born-digital data and methods for history and the humanities’. Partners in the Network are The National Archives, the British Library, Web Archives and the Universities of Cambridge, Sussex, Glasgow, Oxford, Goldsmiths, Sheffield, Leeds, Warwick and Waterloo (Ontario). The project will be led by …
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