EVENT | SHOWCASE: King’s College London x Somerset House Studios 29.01.19

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A showcase of King’s College London x Somerset House Studios collaborations

Five artist-academic project teams have worked together over the last six months to research and develop new critical perspectives on contemporary culture and society.

The evening will be hosted by Dr Munira Mirza, Executive Director for Culture at King’s College London. The River Rooms have step free access. For any other access requirements please let us know..

17.45: Doors open, refreshments

18.00-18.15: Welcome

18.15-19.15: Project presentations: Technologically Fabricated Intimacy;

Mossi forecasts: reading weather in Burkina Faso;

Euro-vision, or the making of the automated gaze

19.15-19.45: Break

19.45-20.25: Project presentations: Sense of Time;

3 Days of Fat

20.25-20.30: Closing remarks

20.30-21.00: Refreshments and networking

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Date and time

Tue 29 January 2019
17:45 – 21:00 GMT

Location

Somerset House
River Rooms, Somerset House Studios, New Wing
London
WC2R 1LA

 

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EVENT | Digital Tools for the Study of Theatre

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How can digital tools be used to study theatre and performance? Join us for a public talk with Miguel Escobar Varela from the National University of Singapore.

Digital Tools for the Study of Theatre – Miguel Escobar Varela (National University of Singapore)

This talk looks at a range of DH tools to study theatre performances. The first part of the talk looks at quantitative methods to analyze non-textual aspects of theatre. It describes techniques for the analysis of movement (obtained both from video and from motion capture systems), the analysis of relationships (using networks of fictional characters and of performers and crew members) and the analysis of geotemporal data (venues and performance times). The second part of the talk considers the role of interaction design in disseminating theatre scholarship through augmented archives, Tangible User Interfaces and intermedial essays. All the case studies refer to theatre practices in Southeast Asia, but the talk aims to show the more general applicability of these approaches for the digital study of intangible heritage elsewhere in the world.

Bio: Miguel Escobar Varela is a theatre researcher, web developer and translator. In his research, he applies computational methods to study Indonesian theatre and develops interactive websites to share his results with the wider public. He is Assistant Professor at the National University of Singapore (NUS) and Academic Advisor on Digital Scholarship to the NUS Libraries. He directs the Contemporary Wayang Archive (http://cwa-web.org) and convenes the informal Digital Humanities Singapore group (http://digitalhumanities.sg). A list of his writings and digital projects is available at http://miguelescobar.com.

This event is part of an ongoing seminar series on “critical inquiry with and about the digital” hosted by the Department of Digital Humanities, King’s College London. If you tweet about the event you can use the #kingsdhhashtag or mention @kingsdh. If you’d like to get notifications of future events you can sign up to this mailing list.

 

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Date and time

Wed 23 January, 2019
16:30 – 18:00 GMT

Location

S-1.27, Strand Building
Strand Campus, King’s College London
London
WC2R 2LS

 

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EVENT | No Business of Yours: How the Large Corporation Swallowed the Future

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When and how did economic growth become such a central concern of democratic political life? How might climate change challenge this conception of politics? Join us for an evening talk with Timothy Mitchell (Columbia University) at King’s College London, co-hosted by the Institute for Policy Research (University of Bath) along with the Department of Digital Humanities and the Department of History (King’s College London).

No Business of Yours: How the Large Corporation Swallowed the Future – Timothy Mitchell (Columbia University)

The foundation of good government, political parties often claim, is to manage and improve the economy. That conception of politics is both surprisingly recent, and one that may not have long to live. Before the mid-twentieth century, no one defined democratic politics in terms of the growth of an object called “the economy.” By the middle of the present century we may have little democracy left, given the threat of climate collapse, if we do not find a better way to define the purpose of political life. To format a different politics we must understand how politics first created “the economy” as its object. The answer lies in the rise of the large corporation, and the strange new relationship to the future that the modern business firm engineered.

Bio: Timothy Mitchell writes about colonialism, political economy, the politics of energy, and the making of expert knowledge. Trained in the fields of law, history, and political theory, he works across the disciplinary boundaries of history and the social sciences. His most recent book is Carbon Democracy: Political Power in the Age of Oil. He is currently working on a study of durability, examining how the more durable apparatuses for capturing wealth characteristic of late nineteenth-century colonialism (railways, canals, apartment buildings, dams) engineered a new method of extracting income from the future—a future we now inhabit precariously today. Like much of his work, this research combines the study of the built world, technical devices, ecological processes, and the history of economic and political concepts. Professor Mitchell teaches at Columbia University in New York.

 

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Date and time

Thu 17 January, 2019
18:00 – 20:00 GMT

Location

Bush House Auditorium
Bush House, North Wing, King’s College London
30 Aldwych
London
WC2B 4BG

 

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EVENT | Data that Warms: Remaking our Relations with Data through Commodifying Infrastructural Discard

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What kinds of infrastructures and relations underpin data societies? How is the heat of data streams being harnessed and commodified by data centre operators? How does the commodification of infrastructural discard modify the ways in which we live with and feel data? Join us for a public talk with Julia Velkova (University of Helsinki).

Data that Warms: Remaking our Relations with Data through Commodifying Infrastructural Discard

Infrastructures are things and relations between things that allow the traffic of waste, power, and finances (cf Larkin). In the past few years, new infrastructural arrangements have been made between data centre operators and energy companies across Europe in order to commodify and traffic the waste heat that servers produce in the process of computing and storing ‘the cloud’, and dissipate it in urban homes and offices (Velkova 2016).

In this talk I draw on ongoing empirical work with data centre operators and energy companies located in Finland, Sweden and France to illuminate the cultural imaginaries, and actual infrastructural connections through which the meaning, the value and the ways in which we live with and feel data (Lupton 2018; Kristensen & Ruckenstein 2018; Kennedy & Hill 2017) are redefined. I argue that these new interconnections have crucial implications for the data economy, energy politics, and urban life that become intimately interconnected, and literally powered by data streams.

Bio: Julia Velkova (@jvelkova) is a post-doctoral researcher at the Consumer Society Research Centre at the University of Helsinki. Her current project explores the waste economies behind the production of ‘the cloud’ with focus on the production and management of residual heat, temporalities and spaces of data centres in the Nordic countries. Her work on data centres has been published in Big Data & Society, and is also forthcoming in a special edition of Culture Machine.

This event is part of an ongoing seminar series on “critical inquiry with and about the digital” hosted by the Department of Digital Humanities, King’s College London. If you tweet about the event you can use the #kingsdhhashtag or mention @kingsdh. If you’d like to get notifications of future events you can sign up to this mailing list.

 

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Date and time

Wed 16 January 2019
16:00 – 17:30 GMT

Location

The Old Anatomy Lecture Theatre, K6.29
Strand Campus, King’s College London
Strand
London
WC2R 2LS

 

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EVENT | The Digital Party – Book Launch

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The Centre for Digital Culture invites you to the launch of Paolo Gerbaudo’s new book, The Digital Party: Political Organisation and Online Democracy.

From the Five Star Movement to Podemos, from the Pirate Parties to La France Insoumise, from the movements behind Bernie Sanders to those backing Jeremy Corbyn, the last decade has witnessed the rise of a new blueprint for political organisation: the digital party.

Paolo Gerbaudo (King’s College London) addresses the organisational revolution that is transforming political parties in the time of Facebook, Twitter, Instagram, and Cambridge Analytica. Drawing on interviews with political leaders and organisers, Gerbaudo demonstrates that besides rapidly growing in votes, these formations have also revitalised party democracy, involving hundreds of thousands in discussions carried out on online decision-making platforms.

Participatory, yet plebiscitarian, open and democratic, yet dominated by charismatic ‘hyperleaders’, digital parties display both great potentials and risks for the development of new forms of mass participation in an era of growing inequality. All political parties will have to reckon with the lessons of the digital party.

Chair: Aaron Bastani
Emma Rees: Momentum National Organiser
Other Speakers: TBC

 

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Date and time

Friday 18 January 2019
18:00–20:00 GMT

Location

Safra Lecture Theatre, King’s Building, Strand Campus,
Strand
London
WC2R 2LS

 

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Project | Mobile Phones and Reproductive Health in Cambodia

A research project funded by the AHRC to foster collaboration between Public Health and Arts & Humanities. King’s and the London School of Health and Tropical Medicine are leading a group that includes researchers from SOAS and Marie Stopes International (MSI) Cambodia.

The project looks at how workers in garment factories in Cambodia use mobile phones to find information related to health, with a specific focus on reproductive health services and medical abortion. Equally importantly, it looks at how public health and humanities/social science approaches can be better integrated: Can we take a wider socio-cultural perspective to better understand how people approach health information and medical abortion? Can we use specific behaviors centered around abortion to better understand information-seeking behaviors? Where to mobile phones and online resources fit in this eco-system?

King’s lead researcher: Elisa Oreglia

Associated organisations: London School of Health and Tropical Medicine,  SOAS, Marie Stopes International (MSI) Cambodia.

EVENT | DIGIT.PROP: Social media and Political Communication

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In recent years we have seen social media becoming a key means of political communication and propaganda in a number of election campaigns, from the US 2016 presidential elections, to the 2017 national elections in the UK. How does social media growing role in contemporary politics change the way in which campaigns are conducted? How do new political contents typical of social media such as memes, short videos and videogames contribute to political parties’ propaganda effort? And what are the potentials and risks of the use of social media as a political communication and propaganda tool. We will discuss these topics with scholars and practitioners at the forefront of contemporary political and communication developments.

Confirmed Speakers:

Emma Rees (Momentum), Nahema Marchal (Oxford Internet Institute), James Moulding (Corbyn Run)

Matteo Canestrari (digital politics expert). Chair: Paolo Gerbaudo

 

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Date and time

Thur 29 November, 2018

18:30-20:00 GMT

Location

Nash Lecture Theatre, King’s College London, Strand Campus,
Strand
London
WC2R 2LS

 

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DDH postgraduate students active in cultural AI event

Festival Grounded is a festival of electronic music, critical thinking and activism that will take place from 21. to 23.11. in Ljubljana, Slovenia. This year’s theme is Intimacy in the age of Artificial Intelligence, and we are extremely proud to announce that a former and a current student of our Big Data MA, Nika Mahnič and Kamila Koronska, are among the speakers of this year’s Festival Grounded, next to renowned researchers from the United Kingdom, namely Professors Kathleen Richardson, Andrew McStay and Vian Bakir.

Besides a progressive music programme, more than 30 speakers will present critical approaches and engage in debates on the role of information technology and specifically artificial intelligence in the interference with our everyday lives. For those interested, the event will be livestreamed here.  The timetable shows times in CET (GMT + 1), as well as specify the language of the event.

One of the programme selectors was Big Data MA graduate Nika Mahnič, who wrote about the theme of this year’s edition: “Recognizing the complexity of the current situation, we strive towards literacy and the recognition of the role of artificial intelligence technologies, whose importance for economic growth is increasing in parallel with the growth of authoritarianism. For their smooth operation, artificial intelligence and robotics require big data that are importantly changing, limiting and directing our practices. While the pioneers of the Fourth Industrial Revolution are freeing up market barriers through enabling the legal subjectivity of machines or robots, it is essential to provide a platform for reflecting on the various interventions of machine intelligence into intimacy and spontaneity of everyday life.”

Nika has also published the article ‘Encountering bloody others in mined reality’ in the academic journal AI & Society, in which she explores interpersonal and human–computer interaction in the era of big data.

Congratulations to Nika and Kamila – we wish an excellent festival!

EVENT | Seen by Machine: Computational Spectatorship and the BBC Archive

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Film and television makers have been using computers in their practice for almost as long as computers have been around. Recently, they have incorporated machine learning techniques as creative tools in their craft. Creative machine learning holds the promise of the automation of the production and reproduction of visual culture, and this type of automated image-making presents to its audiences confounding pictures of authorship, authenticity and value. However, looking beyond the hype and the many misleading headlines about “creative machines”, there are powerful social and economic forces that have drawn artists and creators of all kinds to have an interest in machine learning.

Daniel Chavez Heras (King’s College London) collaborated with a small team of technologists at BBC R&D to create a system that generates sequences out of archive footage using machine learning. The results of these experiments were edited into the television programme Made by Machine: When AI met the Archive, which is now the first time machine learning has been used in this way to produce prime-time content for television. Through this example, Daniel will discuss the idea of audio-visual archives as “cultural big data”, and their automatic browsing as an instance of computational spectatorship: a way to understand how our visual regimes are increasingly mediated by machine-seers.

Bio: Daniel has been working with pictures and computers, in various capacities, for more than ten years. He trained as a designer in Mexico and has worked in creative roles in print media and television before joining the British Council as a digital manager, where he was responsible for the digital portfolio of the organisation’s operation in Mexico. In 2010 he was awarded a Jumex fellowship for the study of contemporary art, and he has since been awarded a Fulbright scholarship twice, although he ended up declining both times to come to study in the UK: first for an MA in Film Studies at King’s College London, and currently at the Department of Digital Humanities, also at King’s, where he is trying to teach computers to watch films for his PhD. Daniel is funded by Mexico’s Ministry of Education through its Science and Technology Research Council (CONACYT); he has published in English and Spanish in international peer-reviewed journals on films & computers, on videogames & art history, and has taught university courses, in both Mexico and the UK, on visual narrative, digital aesthetics, and most recently on the politics of online networks and social media. Daniel has also made a few personal short films (one of which was screened in the official selection at the UNAM International Film Festival in 2013).

This event is part of an ongoing seminar series on “critical inquiry with and about the digital” hosted by the Department of Digital Humanities, King’s College London. If you tweet about the event you can use the #kingsdhhashtag or mention @kingsdh. If you’d like to get notifications of future events you can sign up to this mailing list.

 

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Date and time

Thur 6 December, 2018

18:00-20:00

Location

Bush House Lecture Theatre 2 BH(S) 4.04, Level 4, South, King’s College London
30 Aldwych
London
WC2B 4BG

 

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EVENT | Predictive Policing & Big Data Analysis

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The application of ‘big data’ to make predictions about future behaviour is increasingly being applied in policing and by social services. The more it is important to publicly discuss this development and exchange knowledge about it.

Hosted by the Embassy of the Kingdom of the Netherlands and the Department of Digital Humanities, King’s College London, leading academics and practitioners from the Netherlands and the UK have been invited to discuss use cases of predictive analytics while not forgetting about its societal implications and ethical issues from privacy to biased algorithms.

Can prediction make our societies safer, as some say? Or is it itself an unsafe practice, as others fear? By exploring its complex details, this event hopes to contribute to an open discussion. We look forward to welcoming you at the Royal Society on Tuesday, 4 December 6pm. Besides members of the Dutch and British Police (tbc), our speakers will be:

Claudia Aradau, King’s College London: Claudia Aradau is Professor of International Politics in the School of Security Studies. Her current research analyses contemporary articulations of security and unknowns, particularly as mediated through data, algorithmic practices and digital devices.

Bob Hoogenboom, Nyenrode Business University: Bob Hoogenboom’s research is located in the field of fraud and fraud prevention, integrity issues and public-private collaboration in the security industry. He is Professor of Forensic Business Studies, member of Transparency International Nederland, and of the Netherlands Intelligence Study Association (NISA).

Wajid Shafiq, CEO of Xantura: Xantura is the leading provider of data sharing and advanced analytics to the public sector. It supports vulnerable groups. Wajid will elaborate on a pilot they are conducting on predictive policing in relation to domestic violence.

Marc Schuilenburg, VU University Amsterdam: Marc Schuilenburg works on the edge of Sociology, Philosophy and Criminology. He teaches in the Department of Criminal Law and Criminology, VU University Amsterdam. His last English book is The Securitization of Society. Crime, Risk, and Social Order (New York University Press).

Hosted by the Embassy of the Kingdom of the Netherlands & King’s College London.

 

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Date and time

Tue 4 December, 2018

18:00-20:00

Location

The Royal Society
6-9 Carlton House Terrace
Room: The Kohn Centre
London
SW1Y 5AG

 

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